Story: Why Do You Fly So Far?

A myna (a dark colored bird with yellow feathers around the eye) and a kolea (Pacific Golden-plover, a light brown bird with darker brown spots) in a grassy field.

December 14, 2025

Luke 1:46-55
Matthew 11:2-11

The kolea is a pretty mellow bird. They’re not terribly skittish, though some will keep a sensible distance from people. We are a lot bigger than a kolea and probably look kind of scary to them.

The myna, on the other hand, is not a mellow bird. They sing a fair amount, but they also screech and argue. They’re pretty sociable with one another, and one moment everybody is happy and content, and the next moment everybody is hollering at one another.

Which makes them a lot like some people, now that I think of it.

Mynas fly, of course, but you could call them homebodies. They don’t tend to go very far. Kolea, on the other hand, fly long distances from where they nest in Alaska to where they spend the winter here in Hawai’i. If you’ve ever flown on an airplane to the North American continent, you know that’s a long flight. Well, kolea fly it with their own wings and they don’t go as fast, so it takes longer.

The mynas find it all rather puzzling and strange.

A myna was picking worms and seeds alongside a kolea one day. The two of them were quiet most of the time, because by chance most of the myna’s other friends had had a big argument and flown off to continue it somewhere else. So it was just the two of them.

“I’ve always wanted to know,” said the myna to the kolea. “Why do you fly so far?”

The kolea thought about it. “I’m not sure anyone has asked me that before,” he said.

“Well, I’m asking,” said the myna.

“I do like the change,” said the kolea, “and I know that it gets awfully cold in Alaska during the winter.”

“Then why not stay here?” asked the myna.

“There are different things there,” said the kolea, “and it just feels right to raise chicks there.”

“Then why fly all the way here?” asked the myna. “What do you come here to see?’

The kolea was quiet for so long that the myna was about to ask the question again, but then the kolea spoke:

“I come to see different trees, trees that blossom red and purple and gold. I come to see soaring mountains crowned with snow when there’s green all around the island. I come to see waterfalls that make rainbows. I come to see mountains with fire and beaches with black sand.

“I come to see birds that also live in Alaska, like ‘akekeke, and birds that don’t live in Alaska, like ‘apapane and nene and saffron finches.

“I don’t think I’d appreciated, though, that I also come to see mynas, and to be asked questions I was never asked. The next time I fly to Hawai’i, I’ll be coming to see you.”

“I’m glad,” said the myna. “Next time you fly from Alaska, I’ll be very glad to see you.”

by Eric Anderson

Watch the Recorded Story

I write these stories in advance, but I tell them from memory (and inspiration). The story you have just read is not identical to the story as I told it.

Photo of a myna (on left) and a kolea (on right) by Eric Anderson.

Story: Dive or Skim

October 23, 2022

Psalm 84:1-7
Luke 18:9-14

It’s a funny thing. The koa’e kea – the white-tailed tropicbird – and the noio – the black noddy – eat basically the same foods. They like small fish, they like squid. But they catch their food in very different ways. One koa’e kea had noticed this.

“That,” he said to another koa’e kea, “is disgusting.”

“What is?” she asked. The two were flying out to their fishing grounds from the ledges of Kilauea.

“Them,” said the first, “those noio. Watch them crowd together. Why can’t they hunt alone? There’s a horde of them fishing there. Then the noise. Every last one of them is screeching and calling. They’re flying low, and any bird should know that you can’t spot fish if you’re not high over the water. And most of all“ – he shuddered even as he was flying – “they don’t even know how to do a proper dive.”

“Really?” asked his friend. “What do they do?”

“Watch,” said the first, and they watched as noio after noio skimmed low over the water. The surface of the ocean rippled with the movement of the small fish beneath it. The noio dipped their beaks into the water, seized a fish without landing, and flew on as they swallowed.

“They don’t even pause on the surface to properly appreciate their meal,” he moaned.

“Aren’t there big fish down there, too?” asked his friend, who had noticed larger forms deeper in the water.

“Ahu,” said the koa’e kea, “skipjack tuna. They’re chasing the same fish as the noio. I don’t know why they’re not all crashing into one another, and why none of those noio have become lunch for an ahu.”

They watched the chaotic scene for a while, and then the second koa’e kea said, “You know, it seems to work.”

“What?” he said.

“With those ahu around, the small fish are closer to the surface,” she said, “and with so many birds in the air you wouldn’t want to pause on the surface. From all I can tell from here, none of them look like they’ll go hungry.”

“Do you want to fish like a noio?” he demanded.

“No, I’d rather dive from a good height,” she said, “and I’d rather not have a lot of other birds about because I’d crash into one when I’m diving. I’m not eager to run into an ahu under water, and one of my dives might get down to where they are. I can’t call the noio disgusting, though,” she continued. “They’re living, and thriving, and happy, and fed. That’s a pretty good life for a seabird, don’t you think?”

I don’t know for certain whether she’d convinced him, because he didn’t say anything more as they flew out to their own fishing grounds farther from shore. I’ll call her wise, though, to recognize that there’s more than one way to live a good life as a seabird, and to appreciate a seabird who does things differently.

by Eric Anderson

Watch the Recorded Story

The story is told from memory of this manuscript. That is enough to cause some differences. Today, there was another presentation before the story, and, well, you’ll just have to see it to believe it.

Photo of a noio in flight (though not actually skimming the surface) by Eric Anderson.