“As he went ashore, he saw a great crowd, and he had compassion for them, because they were like sheep without a shepherd, and he began to teach them many things.” – Mark 6:34
Bring your compassion, Jesus, for our shepherds howl like wolves. They lay the rod of law with harshness on the poor and spare the ones in power.
Teach us, Jesus.
Bring your compassion, Jesus, for our shepherds carelessly use words that others hear, and hearing ponder. Pondering, they set themselves to violence.
Teach us, Jesus.
Bring your compassion, Jesus, for the shepherds cannot find the way that leads between our Scyllas and Charybdises, and lost, we founder in moral morass.
Teach us, Jesus.
Bring your compassion, Jesus, and teach us many things, like how the shepherd cares first for the sheep, whereas the predator consumes them.
Teach us, Jesus.
We are sheep without a shepherd. Teach us many things. And may we, by God’s grace, learn.
A poem/prayer based on Mark 6:30-34, 53-56, the Revised Common Lectionary Gospel Reading for Year B, Proper 11 (16).
You wouldn’t think it, if most of your experience of honu is when they’re napping on the shore, but they were the ones who got it started. They started the dance.
Which one it was nobody remembers, because it was a long time ago, and sometimes the beginnings of things get forgotten, like the way children really want to forget who broke the peanut butter jar. The story simply says that a honu looked up at the stars, and saw the clouds lit by the moon above, and felt the water splashing gently on his shell, and he said, “Gotta dance.”
Now, a napping honu looks like a clumsy thing, but a honu in water can dance circles around a human swimmer. He glided, and he shook, and he made tight circles, and he whirled in place. When his head broke water an ‘ulili on the shore called out, “What are you doing?”
“I’m dancing!” replied the honu. Then, after glancing about, “Lots of us are dancing!”
Sure enough, the water teemed with the shells of honu breaking the surface, and their flippers waving as they dove back down to soar below the waves.
“Why are you dancing?” asked the ‘ulili.
“With the world as glorious as it is, what else should I do?” called the honu, and then he glided beneath the water again.
“What else indeed?” said the ‘ulili, who took her next steps with even more bounce in her long legs than usual. It didn’t take long before she and the other shorebirds were highstepping and bouncing and gliding along the rocks.
“Are you dancing?” asked a myna, perched in a low tree.
“Of course we’re dancing!” said the ‘ulili. “Wouldn’t you?”
“I suppose I would,” said the myna, and he took off to do his own dance in the air. He was soon joined by other myna, and by mejiro and saffron finches. And because what one myna knows soon other mynas will know, because they’ve got loud voices and they use them, the word spread along the beaches and up the mountain slopes. ‘Apapane danced to the music of their songs. Noio made their dives for fish with flair and grace. Even the pigs in the forest hopped back and forth to their own private rhythm.
They all danced like the only ones watching were the ones dancing with them. They all danced with a deep sense of being the one and only star of their dance, and a deep sense of dancing in the biggest dance group ever. They danced, and I’m sorry to say that the only ones who didn’t recognize it, and didn’t join the dance, were the people. I grant you that most of us were asleep at the time.
As dawn approached, the creatures from the summits of the mountains to below the waters ceased their rhythmic movements. They stretched their wings or flippers and they took at look at tender feet. Without a sound, they settled into the activities of the day.
I’m afraid they heard no applause, but there was One who applauded, and that was God. God had made them to rejoice in who and what they were, from the ‘io to the ‘apapane, from the noio to the honu. God applauded, and if they didn’t hear as they sorted themselves into a good nap, they settled into rest with glad hearts.
by Eric Anderson
Watch the Recorded Story
I write these stories ahead of time, then tell them from memory. As a result, the stories I tell aren’t precisely the ones I prepare.
Photo of an ‘ulili (a Wandering Tattler) by Eric Anderson.
David danced before the LORD with all his might… – 2 Samuel 6:14
Kick your heels up, David, send the linen skirted ephod swinging. Wheel and circle, drum your feet in time with tambourines and cymbals.
Some will scorn you in your very house, and some will watch in silent disapproval. Some will wonder how you dance when death struck down a helping hand last time.
What else to do but dance? you cry. The presence of the LORD has blessed the places where the mercy seat has paused. So what to do but dance with joy as it comes home?
Whirling skirts and pounding feet. Flying fringe and soaring hair. Kick your heels up, David. Dance! And bring us blessing in our heart and home.
The image is Transfer of the Ark of the Covenant by David by Paul Troger (1733), a fresco in the Altenburg Abbey Church, Altenburg, Austria. Photo by Wolfgang Sauber (2018) – File:Altenburg_Stiftskirche_-_Fresko_David_und_die_Bundeslade.jpg, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=77865740.
I like honu (green sea turtles). How about you? It’s just so comforting to me watching those sea turtles raise their flippers to the surface to breathe and look around, and then taking them down to snack on the seaweed, then turning themselves about like the most agile of dancers, then hauling themselves out on the shore to get a good solid nap in the sun.
I like honu.
It’s hard to believe that one could be a bully, but I’m afraid this story is about a honu who did become a bully. He’d shove smaller turtles out of his way as he grazed on seaweed. He knocked shells with honu who were in the spot he wanted to sunbathe in. Actually, he’d knock shells with a honu just to get it to move, then he’d nap somewhere else. He slapped other turtles with his flippers, he nipped them with his mouth, he’d slide over them when they surfaced to breathe, he… well.
He was a bully.
I’m sorry to say that, mostly, it worked for him. He didn’t have a lot of friends, and I guess part of the reason he was mean was that he didn’t have a lot of friends. But he ate a lot, and he got comfortable spots on the beach, and other honu didn’t pick on him, no they didn’t. So, as I say, it mostly worked for him.
Until, one day, he decided to bully the ocean.
The winds were strong and the surf was high that day. Rain lashed down from overhead so that even a honu found it difficult to tell where the sea top ended and the air began. Spray flew in sheets. Wavetops tossed careless fish into the air.
And this honu decided to go nap on the beach. I don’t think he expected to find sunshine there, but when somebody expects to get things his way all the time, who knows?
The problem was that the waves at the surface tossed him about, and when he dove down, the currents underwater dragged him back to sea. He was trying to get to one specific part of the beach, but the wind carried him along past where he wanted to go, and when he tried to swim back against it, he couldn’t – at least not from where he was. He lashed his flippers at the water both at the surface and deeper down, and in neither place could he make much headway.
Eventually he let the underwater current carry him back out to sea, where he surfaced and howled in rage – which is very rare for a honu – at the winds and the surf.
An older honu drifted by and said, “What’s the matter, youngling?”
He wasn’t that young, but she was a lot older (and bigger), so he didn’t quite yell back when he said, “The stupid wind and waves won’t get me where I want to go!”
“Watch the youngling there,” said the older honu, and he did. A younger, smaller turtle, one that he’d bullied any number of times, had positioned himself in a place where the combination of wind, waves, and current would carry him toward the beach. He made just the smallest of adjustments with his flippers as the water bore him along. Just at the beach, he dipped down to slow himself in the current going back and to avoid being thrown onto the shore from the top of a wave. Then he slid onto the shore, and slowly moved up on his now-active flippers.
“You can’t bully the sea, youngling,” said the older honu. “You shouldn’t bully anything, but especially not the ocean, which won’t notice you at all.”
It took him a long time to learn that lesson deeply, I’m afraid, and he spent a number of storms tossing about in the surf. Eventually, though, he learned that sometimes you don’t fight, you follow. And when he did, he fought less with other honu, and a bully learned to do better.
by Eric Anderson
Watch the Recorded Story
Due to a technical error, the story was not recorded this week.
Photo of a honu (who showed no signs of being a bully) by Eric Anderson.
This song is based on the intercalated stories of Jesus healing the woman with a hemorrhage and the raising of Jairus’ daughter in Mark 5:21-43. It also reflects the ideas I considered in the poem “Twelve Years.”
Twelve years is a long time to suffer, to be pallid and drained, to be aching and strained. Twelve years without hope to be healed, ‘till a Teacher came by but you don’t dare to cry.
[Chorus]
Reach out a hand to a new life. Twelve years and a moment is here To shed all the pain and the torment And to celebrate a thirteenth year.
[Verses]
Twelve years is a short time to blossom, To be merry on Earth in your childish mirth. Twelve years, but the hope to be healed has risen and died like a deceitful tide.
[Chorus]
Twelve years, and the moment has come to set illness away to give healing its day. Twelve years and a moment have made all the difference for two and it could be for you.
The image is of the healing of the woman with the hemorrhage from theTrès Riches Heures du duc de Berry. Artwork by the Limbourg brothers (between 1411 and 1416) – Photo. R.M.N. / R.-G. Ojéda, Public Domain, https://commons.wikimedia.org/w/index.php?curid=17443172.Somewhat unusually for images of this text, Jairus’ daughter is visible at right in the upper image.
He was the oldest pueo in the nest. He was the best. He did things right.
At least, that was his opinion.
It wasn’t his younger sister’s opinion, but that frequently happens with younger brothers or sisters. They tend to think an older (or a younger, come to think of it) sibling can’t do anything right. Oldest children, however, or oldest fledglings in this case, tend to think, “I’m right. I’ve got this. Depend on me.”
And before you ask, yes, I was the oldest child in my family.
To his sorrow, it turned out his mother didn’t think he did everything right, either. She wasn’t like his sister, who didn’t think he did anything at all right. No, Mother was far more specific. She didn’t like the way he flew, or hunted for food, or caught it. “You’re beating your wings too fast,” she’d tell him. “You’re not paying enough attention while you’re circling,” she told him. And, of course, “You’re coming down too fast.”
The problem was that everything she told him happened to be correct. He was an overeager flier, and he tired himself out. In that fatigue haze, he didn’t look carefully for mice on the ground, and he’d miss them. So far his dives to catch prey hadn’t been complete disasters, but they weren’t getting better, either.
“I’m doing fine,” he hooted at his mother.
“No, you’re not,” she hooted back.
Exasperated, he flew off alone, without his mother or his sister, to avoid her steady barrage of corrections.
That worked. Well, it stopped the criticisms. At least the ones he could hear with his ears. His mother had succeeded, however, in creating some mother memory in his head, and he could still hear her telling him to fly slower, look more carefully, and for pity’s sake, control your dives.
But he didn’t change any of that. Which is why, after missing several swoops and getting hungrier and hungrier, he made a desperate dive for a mouse and crashed right into a bush. He crawled out, leaving behind several feathers in the process, and found his little sister waiting for him.
“Are you OK?” she asked, and she meant it.
“Mostly,” he said, feeling rather bruised.
“You need to talk to Mom,” she said. “Actually, you need to listen to Mom.”
He knew he did, but he also knew how much he’d annoyed her. “I don’t think she’d help me after all I’ve put her through,” he said.
His sister shook her head. “She absolutely will,” she fussed at him. “Go ask Mom for help. Say you’re sorry. But ask her for help. She will.”
They flew back together, and he did say he was sorry, and he did ask for help, and he finally started following her instructions, and he finally started to learn.
His sister couldn’t resist telling him, “I told you so,” but he was grateful to both of them anyway.
by Eric Anderson
Watch the Recorded Story
I write these stories in advance, then tell them from memory. I improvise a lot.
A poem/prayer based on Mark 5:21-43, the Revised Common Lectionary Gospel Reading for Year B, Proper 8 (13).
The image is of the healing of the woman with the hemorrhage from theTrès Riches Heures du duc de Berry. Artwork by the Limbourg brothers (between 1411 and 1416) – Photo. R.M.N. / R.-G. Ojéda, Public Domain, https://commons.wikimedia.org/w/index.php?curid=17443172.Somewhat unusually for images of this text, Jairus’ daughter is visible at right in the upper image.
The ‘amakihi was, everyone had to admit, an adult. Even her mother had to admit it. She was young, sure, but she had her adult feathering, she had lots of hours of flight time, and she knew the difference between a tasty bug and a yucky bug.
(Which I don’t, by the way. I’m inclined to think they’re all yucky bugs.)
Her mother, however, continued to give her good advice. She pointed out the tasty bugs. She pointed out the blooming ohi’a blossoms. She pointed out the ripe fruit. She even said, “Oh, look, it’s nighttime,” as the sun set beyond Mauna Loa.
“Mother is so boring,” said our adult ‘amakihi of a daughter.
“Why do you tell me these things all the time?” she asked one day, and her mother replied, “Because a day will come when I’m not around when you have a question. I want to make sure I’m always with you in your memories for such a time.”
“But it’s so boring,” said the daughter, but she said it to herself because she didn’t want her mother to hear.
One day, exasperated by another recital of the bugs that weren’t good to eat, she took off and flew fast and far. She didn’t pay a lot of attention to where she was going. When she got hungry, she’d stop for a nectar snack or a bug break. Then off she flew again.
When nighttime came, she realized that she had no idea where she was.
What should she do? she wondered. And as if her mother was there, but she wasn’t, she heard in her memory the words, “Look, it’s nighttime. Find a branch with greens around it and settle down to sleep.”
So she did. In the morning her mother’s voice in her memory guided her to tasty bugs and ripe fruit. But now she had to remember the more difficult thing: how to find her way home.
“Look at the slopes,” said her mother in her memory. “We don’t live on Mauna Loa, so don’t fly that way. But fly up the slopes of Kilauea until you find the crater at the top.”
She followed the rising slopes but didn’t turn up Mauna Loa. After some time, she saw some familiar trees. After a little longer, she saw the great crater at the summit. She made her way around it until she found the stand of trees where her nest had been.
And… found her mother.
Her mother fussed at her for a while about being away overnight, but her daughter said, “Please, let me say this,” and mother fell silent.
“Thank you,” said her daughter, “for being with me in my memory to get me home.”
I’m afraid that from time to time afterward, she did get exasperated with her mother and think she was boring, but… she never fussed or protested, because of how important it was to have her mother in her memory to help her find her way home.
by Eric Anderson
Watch the Recorded Story
I write these stories ahead of time, but I tell them from memory. And sometimes, as today, things happen that have to be acknowledged – like a mother clear saying to her son, “I told you so.”
The last installment of this series, to my surprise, is nearly four years old. Since July of 2020 Church of the Holy Cross UCC returned to online-only worship when COVID infections rose dramatically that summer. In-person worship did not resume until April 2022.
When people returned to the sanctuary, we restored some, but not all, of the pews to the room, maintaining wider spacing. Eventually we returned nearly all of them. We continue to make masks and hand sanitizer available, and we have a policy that dictates when we will require masks, and when we will require online-only services. In the last two years, we have not had to implement that policy.
We found solutions to a number of our challenges during those two years of streaming. Having moved to the pulpit and lectern in the summer of 2020, we remained there, to give more of an in-person feel. We added more music. When people came to the sanctuary, we made some additional changes.
Moving the Consoles
With only the worship team in the sanctuary, we could place the mixing console with its PC, ATEM mini switcher, and remote control for the sound board where it was convenient for cable runs. As I’d noted in the previous piece in this series, we were near the limits of HDMI cable length. With a congregation in place, however, we needed to move the technical station, preferably to the back of the room. How could we get the camera signals there, however?
The answer was fiber-optic HDMI cables, whose prices had plummeted over the last few years. They carried signals over 100′ with no degradation. We initially laid them across the floor with cable covers, but then moved them along the walls above the windows.
In the meantime, Blackmagic Design had issued a series of upgraded ATEM Mini units. We purchased an ATEM Mini Pro. Its four inputs gave us the ability to connect three cameras plus the feed from our internal slides. Best of all, this piece of hardware can display a multiview on an external monitor, allowing us to retire the field monitors.
Camera Upgrades
The little Canon video cameras had done good service, but they were showing problems. They used a mini-HDMI connector, and it was not built for the strains of moving the camera back and forth. We began to suffer short dropouts on cameras, and I began to worry that one or both of the connectors would fail. In addition, we faced the need to move the cameras further back in the sanctuary as people returned. We looked for a better long-term solution.
We invested in three Blackmagic Design Studio Camera 4K Plus cameras. We equipped two of them with longer power zoom lenses and one with a wide power zoom. The wide lens camera stands raised at the back of the sanctuary and provides a shot of the entire room. It has no operator. Volunteers point the other two, permitting us to continue streaming a three camera production. I have really welcomed these new cameras, because for the first time I know which one is active. I recently discovered that a small tweak to their color balance has really improved the look.
Sound
Our Soundcraft Ui24R has continued to serve us well, allowing us to send separate mixes to the speakers in the room and to the live stream. Moving the control console forced us to a new solution for getting the feed to the stream. We’re much too far from the physical mixer to use USB. Instead, we run an analog connection from the appropriate Auxiliary Out port to the back of the room, where it connects to a sound input on the ATEM Mini Pro. With a little bit of delay to compensate for the delay built into HDMI, we have solid sound.
We did add a “house sound” microphone to the mix. It hasn’t been a rousing success. We haven’t been able to place it so that it picks up the congregation without picking up the internal sound as well. We use it primarily during responsive readings, but not much otherwise. I’d still like to improve that somehow.
Movement
When a congregation returned in 2022, one of our members led them in movement, generally to one of the hymns or a musical anthem. As we increased the number of hymns in the service, this became less needed, and eventually we began to schedule the hula with an anthem. Sadly, the member then went through surgery, and we haven’t got her back on the calendar.
On the other hand, there is more movement in the service. The candle lighters go back and forth, and we stand and sit for prayers and hymns. We seem to have returned to that balance of stillness and striding that fosters a sense of worship.
Lights
We replaced the lights illuminating the sanctuary and the chancel with brighter LEDs that have a consistent color temperature. That has improved the video quality as well as the experience of worshipers in the room. It also led us to replace our sanctuary projector. The brighter overhead lamps made it much more difficult to read the screen, and the old projector wasn’t bright enough.
On Video a Lot
In 2016, when I began to serve Church of the Holy Cross, I began a video series called What I’m Thinking, a short improvised reflection on the Scripture text for the coming Sunday. That series recently exceeded 350 episodes. That makes one appearance in front of the camera in a week.
On Wednesdays, I’ve continued to offer A Song from Church of the Holy Cross. I began this program to test camera and microphone solutions, but also to provide some music in what I anticipated would be an all-too-musicless pandemic environment.
On one Friday a month, I offer a one hour Community Concert, which includes songs in the public domain (because copyright) and a few original pieces.
And of course on Sunday, I’m there before the cameras with worship. I’d never imagined becoming a televangelist, but I have to admit I’ve become one.
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